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Drip Drop Plop (2001) |
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Grey Area (Brown Edition) (1993) |
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Mining The Museum (1992) |
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Untitled (2005) |
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Untitled (2005) |
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Life's Link (2012) |
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Life's Link (2012) |
Fred Wilson is from The Bronx in New York City and was born during the
year 1954. The artist obtained his BFA at SUNY Purchase, where he was the only
black person in his program. Wilson chooses not to use his hands to create art
but, instead manipulates layout, contrast and spatial arrangements of objects
and artifacts. He allows the items of his manipulation to weave and divulge his
message to the observers. By doing this he creates a common theme among his
work that examine and challenges traditional/historical ways of racism and
slavery. Wilson's piece "Mining The Museum" is a solid example of his
common theme. I find it interesting and fitting the way he chooses to use old
fashioned shiny perfectly placed silverware and then place the dirty dark
shackles carelessly; the contrast and historical reference is apparent. My
favorite piece would be "Untitled" because of its message and
demonstration of hierarchy regarding skin color. The piece I find most
compelling would be "Drip Drop Plop" because I'm not sure what to
draw from it. However, I acknowledge the color choice of the black drops and
white walls. I appreciate the way Wilson chooses to share his perspective on a
historical topic that continues to linger on.
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